Author Archives: Paul T. Davies

The Invincibles meet Colchester United Women

Theatre and Football Join Forces as The Invincibles Meet Colchester United Women’s Team In a [...]

On Golden Pond at the Headgate Theatre – Review

Review by Keep Colchester Cool Theatre Editor Paul T. Davies Probably best known to a [...]

Tree of Life at the Mercury Theatre – Review

Science and spirituality save the day in this new dance piece from the wonderful Sanskruti [...]

Review: Guys and Dolls at the Mercury Theatre

Having seen a rather indifferent production of this musical last summer, I was wary about [...]

Review: Two Come Home at the Lakeside Theatre

It’s a welcome home to the beautiful Lakeside Theatre, one of the true gems of [...]

Review: Sherlock Holmes Smells Evil at the Headgate Theatre

Fast becoming a staple of the New Year theatre kick-off at the Headgate Theatre, this [...]

Review: Shrek the Musical at Charter Hall

Green is very much in, helped along by the Wicked films, but there has been [...]

Review: Goldilocks and the Three Bears at The Headgate Theatre

One of the best things about the British tradition of pantomime is that no permission [...]

Review: Easy Virtue at The Headgate Theatre

Playing to all their strengths, Platform Musicals and Plays deliver a sumptuous staging of this [...]

Review: A Christmas Carol at The Headgate Theatre

Mariah Carey and Michael Bublé are defrosting, mince pies have been in the shops since [...]

Review: That’s Not Poetry by James Domestic at Colchester Fringe 2025

With so much happening during a Fringe festival, it’s a real chance to experience something [...]

Review: The Clacton Three at Colchester Fringe 2025

Winner of the Keep Colchester Cool Critic’s Award I moved to Colchester in the 1990s [...]

Review: The Monday Monologuers! at Colchester Fringe 2025

Act V are a group of people aged over 50 who come together at the [...]

Review: About a Spy at Colchester Fringe 2025

Audiences are really looking to be entertained at the moment, with the state of the [...]

Review: Best Man at Colchester Fringe 2025

It’s 1979 in Essex, and two close-knit families with Irish roots are united by marriage. [...]

Review: Little Woman at Colchester Fringe 2025

Created and performed by local theatre artist Tia Winterbottom, this thought-provoking solo show at Colchester [...]

Review: The Chai Queens at Colchester Fringe 2025

What a privilege it is to have work like this performed at the Colchester Fringe, [...]

Review: The Toilet Monologues at Colchester Fringe 2025

A sacred space. That’s what men are led to believe about women’s toilets, a place [...]

Review: Fish Outta Water at Colchester Fringe 2025

This is a gorgeous, tender semi-autobiographical play created by Jess Ashley, offering an insight into [...]

Review: A Two Woman Hamlet at Colchester Fringe 2025

“The play’s the thing”, as Hamlet famously puts it, and here it literally is the [...]

About the author:
Dr. Paul T. Davies was awarded his PhD from the University of East Anglia for his research on AIDS, Queer Theory, and Theatrical Discourses 1983-94. He is a playwright, and among his plays are the two Colchester Fringe award winners, The Miner’s Crow and Living With Luke, Jacky, and Bury Me In Colchester Mud. He is also a theatre director (NETG Award for Best Production, Frankenstein) and occasional actor, most recently in Tartuffe, NETG Award for Best Supporting Actor as the Nurse in Romeo and Juliet, and Rupert in How We Love at the Vaults Festival 2020 and the revival at the Arcola Theatre in 2021. He is an active researcher, theatre reviewer, mentor, and teacher. He will be directing Dragging Your Heels, a new play with music by Terry Geo, at the New Wimbledon Theatre and the Camden Fringe in the summer of 2025, and is developing new scripts.

When reviewing for Keep Colchester Cool, we always aim to:

Provide a professional, fair assessment of the theatre we see, balanced in both praise and criticism.

Be sensitive to the non-professional aspect of community theatre when reviewing amateur productions.

Aim to post reviews within 48 hours of attending, or as close to as possible should circumstances prevent that.

Not review theatre we are personally involved in, but will ask a team member to review it.

Be accurate in terms of spelling names, respecting gender definitions, and providing information the reader may need, as long as the information is provided to the reviewers.