Paul T. Davies, Author at Keep Colchester Cool

Love and Information at Mercury Theatre Studio – Review

Review by Keep Colchester Cool Theatre Editor, Paul T. Davies. Love and Information, presented by [...]

23
Mar

Wind in the Willows – Mercury Theatre Colchester Review

Review by Keep Colchester Cool Theatre Editor, Paul T. Davies The Wind in the Willows, [...]

22
Mar

John Robins at Open Your Heart for Open Road – Colchester Arts Centre Review

Review by Paul T. Davies Open Your Heart, Open Road 2026, in conversation with John [...]

17
Mar

Art at the Headgate Theatre – Review

Review by Paul T. Davies, Keep Colchester Cool Theatre Editor. Art, presented by Black Brook [...]

12
Mar

Practically Imperfect at the Headgate Theatre – Review

Practically Imperfect, presented by Telling Tales and Blue Fire Theatre, played at the Headgate Theatre [...]

09
Mar

The Invincibles meet Colchester United Women

Theatre and Football Join Forces as The Invincibles Meet Colchester United Women’s Team In a [...]

03
Mar

On Golden Pond at the Headgate Theatre – Review

Review by Keep Colchester Cool Theatre Editor Paul T. Davies Probably best known to a [...]

26
Feb

Tree of Life at the Mercury Theatre – Review

Science and spirituality save the day in this new dance piece from the wonderful Sanskruti [...]

23
Feb

Review: Guys and Dolls at the Mercury Theatre

Having seen a rather indifferent production of this musical last summer, I was wary about [...]

30
Jan

Review: Two Come Home at the Lakeside Theatre

It’s a welcome home to the beautiful Lakeside Theatre, one of the true gems of [...]

26
Jan

Review: Sherlock Holmes Smells Evil at the Headgate Theatre

Fast becoming a staple of the New Year theatre kick-off at the Headgate Theatre, this [...]

06
Jan

Review: Shrek the Musical at Charter Hall

Green is very much in, helped along by the Wicked films, but there has been [...]

21
Dec

Review: Goldilocks and the Three Bears at The Headgate Theatre

One of the best things about the British tradition of pantomime is that no permission [...]

05
Dec

Review: Easy Virtue at The Headgate Theatre

Playing to all their strengths, Platform Musicals and Plays deliver a sumptuous staging of this [...]

20
Nov

Review: A Christmas Carol at The Headgate Theatre

Mariah Carey and Michael Bublé are defrosting, mince pies have been in the shops since [...]

13
Nov

Review: That’s Not Poetry by James Domestic at Colchester Fringe 2025

With so much happening during a Fringe festival, it’s a real chance to experience something [...]

05
Nov

Review: The Clacton Three at Colchester Fringe 2025

Winner of the Keep Colchester Cool Critic’s Award I moved to Colchester in the 1990s [...]

04
Nov

Review: The Monday Monologuers! at Colchester Fringe 2025

Act V are a group of people aged over 50 who come together at the [...]

04
Nov

Review: About a Spy at Colchester Fringe 2025

Audiences are really looking to be entertained at the moment, with the state of the [...]

02
Nov

Review: Best Man at Colchester Fringe 2025

It’s 1979 in Essex, and two close-knit families with Irish roots are united by marriage. [...]

01
Nov

About the author:
Dr. Paul T. Davies was awarded his PhD from the University of East Anglia for his research on AIDS, Queer Theory, and Theatrical Discourses 1983-94. He is a playwright, and among his plays are the two Colchester Fringe award winners, The Miner’s Crow and Living With Luke, Jacky, and Bury Me In Colchester Mud. He is also a theatre director (NETG Award for Best Production, Frankenstein) and occasional actor, most recently in Tartuffe, NETG Award for Best Supporting Actor as the Nurse in Romeo and Juliet, and Rupert in How We Love at the Vaults Festival 2020 and the revival at the Arcola Theatre in 2021. He is an active researcher, theatre reviewer, mentor, and teacher. He will be directing Dragging Your Heels, a new play with music by Terry Geo, at the New Wimbledon Theatre and the Camden Fringe in the summer of 2025, and is developing new scripts.

When reviewing for Keep Colchester Cool, we always aim to:

Provide a professional, fair assessment of the theatre we see, balanced in both praise and criticism.

Be sensitive to the non-professional aspect of community theatre when reviewing amateur productions.

Aim to post reviews within 48 hours of attending, or as close to as possible should circumstances prevent that.

Not review theatre we are personally involved in, but will ask a team member to review it.

Be accurate in terms of spelling names, respecting gender definitions, and providing information the reader may need, as long as the information is provided to the reviewers.