Tickets £12 / £11 concessions
Doors open 7.30pm, show starts 8pm
This gig is for a seated audience

Musical collaborators for the past decade, Paul Jones and Stephen Black are together known as the woodwind-and-key-wielding, sculptural-papier-mâché-hat-wearing Group Listening.

Following renegade reinterpretation records Clarinet & Piano: Selected Works Vol. 1 (2018) and Vol. 2 (2022), which pulled apart, pondered, and re-shaped cult ambient classics by the likes of Robert Wyatt, Arthur Russell and Beverly Glenn-Copeland, Walks (2024) — a shining modernist monolith buried deep in the woods — is their first volume of completely original compositions.

Walks draws from the field recordings of Ernest Hood; the abstraction of Harold Budd; the saxophone of Sam Gendel; the “heightened naturalism” of a Martin Parr photograph; the clarity and site-specificity of Japanese ambient, environmental & new age music of the 80s and 90s, and, prominently, Robert Walser’s pseudo-biographical novella The Walk — an appreciation of the philosophical space gifted by walks to walkers.

An ode to the gently psychedelic potential of wandering around in some place, any place, every place: the places in one’s own mind, Walks invites you to listen and think; to slip through the fabric of time a little or a lot, depending on how long you’ve got.

Overall, to paraphrase Walser, it invites you to glow and flower yourself in the glowing, flowering present.

Strandings
Strandings is the new project by Dead Rat Orchestra member Robin Alderton. A combination of electro-acoustic elements featuring the folk based influences of his soundtrack work with DRO and solo textural collage work utilising turntables, electronics and manipulated vinyl. For fans of Philip Jeck, William Basinski and CST Records.

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