12.98°C Mariah Carey and Michael Bublé are defrosting, mince pies have been in the shops since August, and Noddy Holder is ready to boost his pension pot once again. Meanwhile, Dickens’ classic returns to stages across the country, still giving pantomime a run for its money as the must-see festive show.
Colchester Theatre Group have created a production that respects the original story, enhanced with inventive staging and strong performances, delivering a memorable and heartfelt evening at the Headgate Theatre. It’s an excellent adaptation by Karen Louise Hebden, technically ambitious, and although there were a few opening-night blips still to be ironed out, Abigail Rice’s assured direction knows exactly how to stir the emotions. The entire company fully commit to the production.
Les Chisnall brings years of experience to Scrooge, making him both lovable and vulnerable, without shying away from the character’s unpleasant streak. I was particularly struck by how often Scrooge tries to bargain with the spirits throughout. He is the only cast member playing a single role, while the other nine actors multi-role at astonishing speed. Congratulations to the costume team, who work miracles with the lightning-fast changes.
There are some phenomenal performances, not least the excellent Donna Potter as an unforgettable Jacob Marley and Ghost of Christmas Present. Leanne Howard is particularly moving as the destitute Mrs Thompkins, George Green makes a wonderful Tiny Tim, and Sarah Ellen Young brings power and presence to every role she plays, including the silent and striking Ghost of Christmas Yet To Come. Kev Woods, in only his second acting role, delivers several impressive moments, especially in the poignant graveside scene mourning Tiny Tim. It was genuinely surprising to see only ten names take the curtain call.
I do wonder whether more period-appropriate glasses could have been sourced or omitted entirely, as they were occasionally distracting. The same could be said for some crew members not being in period costume. At times, the show lacked pace, projection and energy, but these are elements that will undoubtedly settle now that first-night nerves are behind them. The set design, also by Abigail Rice, is highly effective, particularly the three-sided rotating flats that transport us seamlessly from scene to scene. The whole production, both looks and sounds gorgeous.
No humbug here. Catch this classic while you can.
Until Saturday, 15th November. Tickets are available.
Review by Paul T. Davies, Theatre Editor, Keep Colchester Cool
